Friday, July 12, 2019

Crawl (watched July 11, 2019)

As I mentioned in some previous posts, I developed very particular, but also rather random, biases towards certain movie types during my adolescent years. Because I was never really into animals, I usually skipped out on animal-related films of any and all genres- even horror films. But, thanks to recent movie releases I have seen in an effort to break from these self-imposed restrictions, my movie world has been opened up to a completely different sub-genre: CREATURE FEATURES. "Crawl" is one such film that I would never have spent my time or money on; but, a recently made good friend of mine and fellow horror FREAK Manny was in town and I decided to see if this one could continue the roll I started on with "The Meg." HOOOOOOOOOLY MOLY.

Crawl takes place in the very hydro-centric state of Florida, where the beaches are plentiful, swimming comes almost by nature and gators are always treated as that one scary aunt/uncle you know exists but would much rather avoid at all costs. Haley (played by Kaya Scodelario) is an accomplished swimmer at the University of Florida (go Gators!) who has always been pushed to perform her best by her father Dave (played by Barry Pepper). When Haley's sister calls from out of town to ask about their father who has not responded to her calls all day, Haley makes the two hour drive back to her family's old house in the middle of a growing Category 5 hurricane to check-in on her dad personally.

Upon getting to her old house, Haley searches frantically for her father as the hurricane picks up momentum and she finally finds Dave injured all the way down in their huge basement. As she attempts to get her unconscious father upstairs, Haley is confronted with a less-than-welcoming gator who is hell-bent on finishing Dave off and presumably having Haley for dessert. Now, one reason I strayed from creature features is that so often the animal(s) do not look real to the viewers because of a poor job done with CGI. But, this gator is VERY real and VERY frightening. Manny and I were instantly delighted at how real the gator looked and our hopes were immediately heightened for what the remainder of the movie would bring.

Every "shock moment" comes unexpectedly and abruptly (even the ones we braced ourselves for). Every attack is ferocious in nature and intent on drawing lots and lots of blood. From the moment water starts to seep into the basement I was kept on the edge of my seat (especially given the fact that I am in no way a proficient swimmer). Every on-screen gator appearance struck fear into my very core in a way that many films have not this year. There is a very real and very carnal aspect to every risk Haley, her dad and their community has to take to escape with their lives. At a VERY manageable 90 minutes long, Crawl only suffers from very few dull moments that nevertheless work to bring some legitimacy to the plot. And, it's an absolute travesty that this film did not release in 4DX theaters because it would have taken my experience to another level. Crawl gets a solid 4 reps out of 5 from this newly-turned fan of creature features and should absolutely be seen in theaters. It is not my favorite "horror" release of 2019 only because there were so many other such films released with more history behind them. But, Crawl may very well be THE standard against which other freaks like Manny and I hold not only creature features to but horror/thriller/suspense movies to as well. It is exactly what I feel most fans who want to be scared in theaters are looking for and deserve. Thanks, Manny!

Are you ready to test your luck and fears against those who can not only crawl but also swim with such ease and physical dominance? Let me know your thoughts in the comments section whether you have seen it yet or not. I am very interested in what you have to say about this film, especially as I expand my knowledge of and experience with creature features.

Wednesday, July 10, 2019

Midsommar (watched July 9, 2019)

We're almost halfway into July; so, it makes sense to watch this movie- right? Actually, in all seriousness, I had NO idea what this movie was about until just yesterday. In fact, there are times when I will watch a movie I have not even seen a preview for just to see what the hype surrounding it is about. And, there was some legitimate hype behind this one in the sense that a number of people had been going in large groups to check it out. So, what did it have to offer the self proclaimed horror freak?


"Midsommar" is loosely based on a group of four male Anthropology classmates who have been planning a trip to Sweden, one of which- Christian- is in a relationship with Dani (played by Florence Pugh who did a magnificent job portraying WWE star "Paige" in "Fighting With My Family"). However, Christian's and Dani's relationship has been teetering on the edge for some time. When Christian decides to invite Dani on the trip and she accepts, the other three classmates have varying levels of trepidation. Nevertheless, the five of them embark on this life-changing trip to a very remote and rural part of Sweden during a locally observed midsummer festival that only occurs once every ninety years.


To truly embrace the culture of this community's people, the group of five and another visiting couple take part in a number of traditions that includes the regular consumption of a hallucinogenic that alters one's senses. From the very first day on, all seven visitors have to decide just how far they are willing to indulge in the rituals of this midsummer festival as well as wrestle with different reasons why to do so or avoid doing so. These traditions are introduced only very loosely by one of the four original Anthropology classmates who has actually lived there most of his life and was only studying abroad in the US- Pelle. And, every visitor has different reasons that ultimately decide the extent to which he/she will take part in the different activities.


The traditions themselves are only truly "understood" or "explained" once the visitors choose to really take part; and, the visual depictions of them were the most satisfying part for me. There are very clear influences writer/director Ari Aster draws from the 1970's mystery "The Wicker Man," in that it includes a visit to a very foreign land with very unique traditions. All in all, the film feels like a massive ethnographic study whose "success" depends on how willing one is to embrace the various traditions espoused by this pagan cult. To see just how these different traditions affect each visitor differently is where the intrigue lies; and, paired with the aforementioned visual depictions thereof, are why this film gets 3 out of 5 reps from me. At a very lengthy 2.5 hours, the film does have its lulls and probably does not have to be seen in theaters to get the full effect. Think... a very less gory "The Green Inferno" and much less gory "Hostel." As I mentioned before, the film works mostly to depict the traditions of a very small pagan cult that has its origins very firmly based in historical pagan scripture. It is a reminder that there are peoples existing outside of the "western world" with what others would deem a "weird" lifestyle; but, then again- that's all in the eye of the beholder.


So, have you taken a trip to experience Midsommar yet? If not, what are you afraid of?!

Wednesday, July 3, 2019

Spider-Man: Far From Home (watched July 2, 2019)

With the conclusion of Avengers: Endgame, it was clear that there was going to be a shift in the arch of the Marvel Cinematic Universe. What was unclear is exactly what that shift would entail and exactly who would anchor this second wave of MCU theatrical releases. Would the timeless Spider-Man character step up to fill a void left by so many well-known Avengers? Does Captain Marvel cement herself as the most important Avenger moving forward? What exactly will Captain America's leaving Falcon with the Captain America shield mean for Falcon's role from now on? Well, this latest Spider-Man does not bring much in the sense of concrete answers to these questions; but, it most certainly sets the stage for something very interesting to come.


"Spider-Man: Far From Home" is like the surprise epilogue to the first wave of MCU/Avengers movies that fans were not sure would move the franchise forward but are excited for nonetheless because of the promise it entails. And, it most certainly does not disappoint. The on-screen chemistry between Spider-Man (played by the charismatic Tom Holland) and MJ (played by the ever-so-enigmatic Zendaya, who herself is absolutely SLAYING her current role in the HBO show "Euphoria") takes a few leaps forward. Happy and Mary Parker continue to inject their timeless and timely humor seemingly every single time they are on screen. And the introduction of another favorite of mine in Jake Gyllenhaal as Mysterio is not only refreshing; but also, for some reason, rather seamless. While it's the first time we see Mysterio in the MCU, Gyllenhaal has this spirit about him that makes Mysterio fit right in as though he was at the very least being discussed in previous movie, although he was not at all.


While my first time around seeing this film was not in 4DX because of some back pain, I am most certainly excited to see in 4DX as soon as I can. The action and CGI/effects were again stunning and moving; but, also taken up yet another notch to a slightly different level. The realm in which Spider-Man and Mysterio operate here is not only visually stunning, but also, somewhat revolutionary. In fact, there were times when what I saw on screen reminded me so much of what I saw on screen during "Spider-Man: Into the Spider-Verse."


At just over two hours long, the film still does not lend itself to any momentary lulls. In fact, everything that occurs, including the TWO post-credits scenes (the first of which is a jaw-dropping look towards the future), leaves fans applauding in ecstasy but yearning for MORE. The only thing that could have made this film better in my eyes were more Avengers. However, their inclusion might have thrown off the feel of the movie, which is that of another stand-alone "neighborhood Spider-Man" iteration that nevertheless sets the stage for major developments forthcoming. Spider-Man: Far From Home gets an easy 4 out of 5 stars from me and will MOST certainly be watched multiple times by so many people both in theatres and at home. It will RUN the box office this weekend and for weekends to come. And it will do so very deservedly.


Have you seen how Spider-Man swings into action while being far from home? If so, what did you think about it and how it sets up the MCU future? If not, are you excited to?! Let me know in the comments; and, as always, this remains a SPOILERS-FREE place to PREview films you're deciding between for your next trip to the movies. Have a happy and safe Fourth of July weekend, movie fans!

Tuesday, July 2, 2019

Annabelle Comes Home (watched July 1, 2019)

Vera Farmiga has been a favorite of mine since she took on and slayed the role of Norma Bates in the amazing TV series "Bates Motel." Patrick Wilson gained an instant fan in me when I saw him perform as Night Owl in the on-screen adaptation of "Watchmen." So, when I saw them anchor the "Conjuring" franchise, I was absolutely ecstatic. I'm not sure if the creators of The Conjuring ever dreamed the franchise would include as many films as it has churned out; but, the importance Farmiga and Wilson have played in its success is unquestionable and undeniable.


After so many continuations and "spin-off" movies followed the original Insidious, many fans questioned the franchise's ability to produce films as good as the original. But, while there have been some follow-up films that did not garner as much fanaticism, some of them did. "Annabelle: Creation," for example, was absolutely stellar. So, the hype behind "Annabelle Comes Home" was certainly at a high following the success of its predecessor.


In this film, Annabelle certainly comes home; and, the most intriguing aspect of this tale is that it sheds light on a number of other stories of possession. But, not only do we learn more about other tales of possession that the Warrens have investigated in their lengthy careers, we actually get to see visual depictions of the artifacts that highlight these different investigations. However, this history actually does not come from the mouths of the Warrens, as they are largely left out of this movie. Instead, we learn about this history through the adventures of the Warrens' young daughter, her babysitter and her babysitter's best friend.


At an hour and forty five minutes long, Annabelle Comes Home does a lot of "building up" during the first hour. The last forty five minutes are interspersed with built up "shock moments" and the aforementioned visual depictions of some awesome looking historical figures of "possession;" but little else. It was actually very refreshing to see just how much their daughter Judy seems to have espoused the spirit of her parents; but, it actually makes viewers want to see her interact with her parents more, which happens for only about 5% of the film. For a handful of cool visual depictions of possessed figures and an introduction to Judy Warren with not much else, this film gets 2.5 reps out of 5 from this horror movie junkie. It's a bit of a letdown; but, it will be interesting to see if, how and when the franchise will build off its introduction of Judy Warren moving forward. Some of the visuals will most certainly look better on the big screen; but, they probably won't be enough to garner much excitement from viewers.


Have you welcome Annabelle home yet? If so, what do you think about how the franchise might use this film to set up future films, if any do come (aside from the follow-up films announced to "The Nun" and "The Curse of La Llorona")?

Wednesday, June 26, 2019

Child's Play (2019) (watched June 20, 2019)


The famous Chucky doll from the original 80's and 90’s movies was one of my first obsessions as a fan of the horror genre. I always found it oddly interesting that a kid’s toy with whom he/she spent so much time and built (somewhat of a) human connection with could, for whatever reason, become the impetus for so much fear and violence. For a lot of viewers from my generation and other Chucky fans alike, this film will engender some serious feelings of nostalgia. 


Instead of simply remaking the original “Child’s Play” film from 1988, “Child’s Play (2019)” goes a similar route as other 2019 horror movies with an existing origin story; bringing the Chucky franchise into the present day era. However, aside from some pretty obvious allusions to said original arch, this year’s installment has little else directly tying it to the original, meaning you don’t even need to know about the original Chucky storyline to watch this one because it stands alone as the "new age" Child's Play Part I.


In it, the supremely talented Aubrey Plaza (who made a name for herself in NBC’s “Parks and Recreation” and continues to act in films and such TV shows as another mutant fan favorite “Legion” on FX) plays Karen Barclay, a mother desperate to bring some joy to her son Andy for his birthday. Karen finagles one of the revamped “Buddi” dolls preparing to be released for Andy, setting the stage for both Andy and Chucky to develop a friendship much more real than anybody expected. We also see Brian Tyree Henry (who plays “Paperboy” in FX’s hit TV show “Atlanta”) play a prominent role as Detective Mike Norris, who eventually realizes they’re dealing with much more than a malfunctioning doll.


The 2019 Chucky has certainly evolved with the times, just as technology has. The scope of his terror is heightened by the technological advances made since we last saw him running amuck with Tiffany and their child. At a very reasonable 90 minutes long, the violence comes fast and often after about 30 minutes in. Once the blood starts to spill, it quickly begins to OVERFLOW. The deaths themselves are surprisingly more gory than I imagined (more so even than the originals) and boast a mixture of the more classic “slasher” kills with more modern age “WTF” moments that simply weren't possible in the original movies. As with other 2019 horror films, I found this one to be both more interesting and more entertaining than I imagined, garnering it 3.5 reps out of 5 from this horror movie buff. As I’ve always espoused, if you go into it with an open mind, you will at least find several enjoyable parts to the film. Because of the murders and the role technology plays in them, I would certainly recommend seeing this one at least once in theaters because you’re not going to get the same experience at home. I will certainly be seeing it again a number of times.


So, have you faced the new and improved 2019 Chucky? Or are you still stuck in the past thinking nothing can make you cringe and squirm the way the original did? Don’t be afraid to share your thoughts, although if you don’t, I might send Chucky after you so you have a real reason to be scared! And, if anybody needs protection, I'm glad to join you as you face your fears in theatre! Just leave me a comment below and we can make this happen... unless you're scared, of course.

Tuesday, June 25, 2019

Ma (watched June 11, 2019)


Ey- yo, ma! While this cat call has been a part of many females’ lives from a very young age, this film gives most of the power to one female in particular who plays by nobody’s rules but her own. “Ma” tells the story of a peculiar, middle-aged woman who goes out of her way to be nice to younger members of a community that is quite small and, thus, inextricably tied to each other- for better AND worse.


The film starts with an introduction to the new kid in a town completely foreign to her during the middle of the school year. When a former new kid extends her an offer to hang out with a group of “cool kids,” Maggie (played by the FAST rising, talented and eerily reminiscent of Julia Roberts star who also just crushed it in Booksmart, Diana Silvers) reluctantly accepts. As Maggie’s mother Erica (played by another film OG in Juliette Lewis) becomes aware of her daughter’s making friends, she warns her to be very careful of who she befriends. In a series of most unexpected events, Sue Ann aka Ma (played by the perfectly creepy Octavia Spencer) becomes one of those very people. What ensues is an unraveling of weird events that weave an increasingly complex web of lies and secrets between all parties involved.


I cannot emphasize this enough: when watching a fictional movie, everyone is better served doing so with a heightened suspension of disbelief. Of course what a film’s characters do are not always going to be in line with what we would- that’s not what I go to the movies for. I go to be ENTERTAINED. And, while there are head-scratching moments in this one, overall, it’s actually pretty entertaining. Sue Ann is just quirky enough that you not only want to see what she is capable of doing next, you’re also at least nominally interested in the “why.” The film also boasts a nice mix of “jump” scares and “psychological” frights that sustain, at the very least, an interest in seeing how the next one plays out. 


Honestly, I was expecting this film to be much cornier and a bigger “waste” of a movie outing than it was. The small town dynamic reminded me of high school/college towns I’ve been a part of where it’s almost impossible to live outside of a far-reaching microscope. And the less pervasive themes including racism and sexism help make the plot even nominally more relatable. For being surprisingly entertaining and much more thought-provoking than I ever imagined, I give Ma 3 reps out of 5. At around 100 minutes long, the film is an easy watch in theaters- although many will safely wait to catch it in the comfort of their homes once available. It also helped my experience that I was among the audience members in the first group of seats closest to the big screen. There were times I thought Sue Ann might approach me next!


Has Ma done you any favors yet? Or are you steering clear of her “kindness”? Let me know in the comments section either way! Remember, there are NO spoilers up in here... NOT UP IN HERE!

Wednesday, June 12, 2019

Dark Phoenix (watched June 7, 2019)

The X-Men universe is one that has been around on-screen for decades, as its famous television series brought consistent life to the comic books. And, while the initial X-Men live-action movies came with a ton of hype and were largely satisfying to most fans, there has been a palpable dip in excitement.

From an admittedly confusing timeline to an unclear direction, the once revered X-Men movie franchise has left fans with a lot of mixed emotions. Well, although the latest of said movies, “Dark Phoenix” has been the movie fans have been begging for the longest. The Phoenix character is among the most popular and widely viewed as the strongest of X-Men; so, a lot of comparisons can be made to the recent “Captain Marvel” film that finally dropped as well. However, whereas Captain Marvel is poised to lead the new wave of Avengers movies, Dark Phoenix is reportedly the swan song of the original wave of X-Men characters and films. So, does it do her character justice?

Absolutely. From the very beginning of the film it is made clear that Jean Grey (or “Phoenix”) has had something particularly special about her, which makes her stand out even among mutants. The film not only brings to life a number of anecdotal scenes that depict her might, it does so in a methodical way that builds up the anticipation of viewers and has us anxiously waiting for the next physical display of power. And those displays of power are nothing short of being absolutely awesome. The action scenes and CGI are incredible, while seeing Sophie Turner who plays Sansa Stark in Game of Thrones back in action is immensely satisfying for fans of both franchises.

Dark Phoenix gives X-Men fans what they’ve wanted for so many years, even if much later than perhaps should’ve been done. And, despite how incredibly murky the franchise’s future is, as a stand-alone film, it is immensely satisfying and works very well as the last of a very up-and-down first wave of mutant films. At just under two hours, the action in this movie carries it so well that not only does it feel like much less than two hours, you want to stay at least another two if it meant seeing more of the same. The culminating final series of scenes is so charged up that you wish it would never end. This film is one that X-Men and non-X-Men fans alike should see in theaters and is one that I look forward to seeing often. It gets 4 out of 5 reps from me largely for its entertainment value and deeply satisfying general plot, which has been a long time coming.

Did you fly to the movies and catch “Dark Phoenix” yet? Let me know what you think of it and the future of the franchise. What do you hope happens next? For those who haven’t seen it yet- come back and let me know how much we relate in opinion. Did I offer any spoilers or, as I proudly say, did I keep this a spoilers-free safe haven? I better have because it’s NO SPOILERS up in here ... NOT UP IN HERE!

Godzilla: King of the Monsters (watched May 30, 2019)


As you probably guessed, I most certainly watched this film in 4DX. But, the movie itself feels much like a roller coaster no matter what setting you watch it in. Firstly, if you aren’t too familiar with the entire cast of “Godzilla: King of the Monsters,” then you will probably be as pleasantly surprised as I was every time a different big-name actor popped up on the screen. Dr. Emma Russell (played by a favorite of mine in Vera Farmiga who absolutely crushes it as Norman Bates’ mother in the “Bates Motel” series) and her daughter Madison (played by fast-rising “Stranger Things” star Millie Bobby Brown, whose real name has to be one of the coolest in existence) form an on-screen duo that works so seamlessly you would think they’ve worked with each other for years. But there are a number of other actors and actresses who don’t figure as prominently into the trailers/previews who really add another sense of legitimacy to the crew.

If you aren’t too well versed in the world of Godzilla, Godzilla exists in a world where he is far from being the only “monster” roaming the earth. However, he is universally revered as being the king of them all for his unmatched power and strength. This latest film adaptation is by far the most complex and involved of any Godzilla movie to ever release. While a group of government officials are hot on the trail of another mythic monster known as Ghidorah, they haven’t seen or heard of Godzilla since the last film adaptation to release in the US back in 214. (This approach helps lend some legitimacy to the last film as well as establish a connection between the two.) Convinced that Godzilla is no longer to be seen of again, these officials are quick to try and restrain Ghidorah themselves; but, as their efforts prove increasingly futile, Godzilla is the only one they can find hope in. However, just as Godzilla makes his return, they learn of another layer of complexity that makes all hell break loose on our planet.

I didn’t think I would see as much action as I saw in John Wick Chapter 3; but, I was VERY mistaken. While human combat is featured more prominently in John Wick than in Godzilla, this actually helps distinguish between that sort of action and the one that occurs between the monsters in this film. Once the first fighting scene in this film erupts, it is followed by a FLURRY of others, each somehow increasingly more terrifying and destructive than the last!

Due to the discoveries made by the government and scientists throughout the movie, the plot most certainly becomes jumbled and quite difficult to fully grasp. But, I have never cared less about the holes in a film’s plot than I did about these because however they come about, the MONSTROUS battles are everything audience members want to see and THEN some. Honestly, I gave up all hope of making sense of everything halfway through the film, which I feel actually made the action scenes even better because I was unencumbered by any other mental exercise. It’s not necessarily that the plot is broken; but, more so that it is so complex one would rather give it the benefit of the doubt in anticipation of the next hellacious struggle between monsters. A full two hours long, Godzilla: King of the Monsters does NOT let up and keeps you on the edge of your seat for the entire second half of the film. Even for just attempting the most complex Godzilla plot, this film gets props. But, as I mentioned before, the constant friction, visual depictions thereof and CGI are absolutely incredible and nothing short of stellar. For being the most visually satisfying and monstrous Godzilla film I have ever seen, I give this one an easy 4 reps out of 5 and ABSOLUTELY recommend catching it on the biggest, best screen you possibly can!

Have you come face to face with the King of the Monsters yet? If not, then what are you waiting for? If so, what did you think about the plot in comparison to the action? Let me know in the comments section; and, as always, feel free to spread the word about my page and encourage others to Check With E before deciding what films to catch in theaters because there are NO SPOILERS here... NOT UP IN HERE! 

Wednesday, May 22, 2019

John Wick: Chapter 3 - Parabellum (watched May 16, 2019)


The action in chapter 1 plus the action in chapter 2 almost equals all of the action in this chapter 3. The face of one of the most pioneering action film series in the “Matrix,” Keanu Reeves, reprises his role in this third installment of John Wick. For those of you who could use it, here’s a quick synopsis of the first two chapters to set up where the third chapter takes off from.

In chapter 1, John Wick, a retired lethal assassin, is mourning the death of his wife with a furry companion in the form of a new dog. When a team of Russian mobsters led by the mob boss’ son attempt to steal John’s car and kill his new dog in the process, they start a war that draws John right back into a life of violence. He ends up killing most of that Russian crime ring, including the son and father, before adopting a new dog and trying once again to retire from that life.

In chapter 2, John is paid a visit by a lead Italian mob boss who collects upon a debt he claims John owes him for helping him get out of his dangerous lifestyle the first time and allowed John to marry his now deceased wife Helen. John repays his debt to the Italian mob boss, who in turn puts a bounty on John’s head as a way of playing the fool and acting like he had nothing to do with John’s latest completed mission. At the end of chapter 2, John kills this mob boss as well- but, he does it on the grounds of the Continental Hotel, which is a safe haven for criminals where killing is strictly prohibited. The Continental owner has no choice but to report John’s actions to “the Higher Table” (but not before giving John a one hour head start to get as far away as possible before a worldwide, $14 million bounty is put on John’s head).

“John Wick: Chapter 3 - Parabellum” picks right back up where chapter 2 finished, with John making his rounds visiting the few people he thinks he can still count on for help. However, the word is now out and everybody who’s anybody who notices John goes all out in an attempt to kill him and cash in. When I say the action is non-stop, I mean the action is NON-STOP. John can’t even make it a block without encountering handfuls of fellow criminal assassins putting their lives on the line for a massive pay day. The fighting truly does feel organic in a way that makes it seem less choreographed and more free flowing- almost like full contact capoeira. Nothing feels forced; and, while there are moments of lengthened dialogue, it certainly works to move the plot forward.

The film is almost exactly two hours long; but, I only ever noticed once the film was over. As you may have guessed, I certainly watched it in 4DX; and, while the movie wasn’t 3D, the 4DX theater seats were moving and punching and kicking at a rapid rate because of the non-stop hits. Personally, this movie was so enjoyable that it gets 4 reps out of a possible 5 from me; and, it may just be the best John Wick movie to date. However, fans certainly have something MORE to look forward to, as a fourth chapter has already been confirmed for release in Spring 2021 and seems poised to feature another Matrix teammate of “Neo,” which certainly has me excited.

Have you caught all of the hits dished out by the third installment to the John Wick series? If you haven’t and are into action, then you most certainly should. Let me know your thoughts in the comments section. As always, check with E for all your movie notes either after (but preferably before) heading to your next movie outing because... there are NO SPOILERS here... NOT UP IN HERE!

Friday, May 10, 2019

The Intruder (watched May 7, 2019)

If you think you’ve seen this movie before it’s probably because you have- one iteration of it or another. “The Intruder” is the latest version of that movie type wherein a person or couple have their livelihoods threatened by a neighbor or angry ex who just can’t seem to cut ties and “let go.” From the original “stalker” movie classic directed by Alfred Hitchcock “Rear Window” that was reimagined in Shia LaBeouf’s “Disturbia,” to Jennifer Lopez’s “The Boy Next Door” and Beyoncé’s and Idris Elba’s “Obsessed,” the premise here remains largely the same: a shot at peace and happiness is endangered by others who simply can’t find that for themselves under their current circumstances.


This time around, the intruder comes in the form of a retiring gentleman named Charlie (played by one of the true film legends in Dennis Quaid) who lost his wife to cancer and hopes to start anew by moving to Florida and reconnecting with his daughter. The unsuspecting couple is Annie and Scott Russell (played by the beautiful Megan Good and Michael Ealy), which is fighting its own struggle to repair a fractured marriage by moving farther from the city into a home more conducive to raising children. Charlie garners the pity of Annie but remains highly questionable in the eyes of Scott. When Charlie insists on helping around the house in an effort to keep its structural integrity intact, he quickly becomes an increasing nuisance to the relocated city couple.


The Intruder is packed with tense moments of confrontation that result in increasingly questionable reactions from the couple. The couple’s decisions will have you screaming in your head with anger (or out loud at the film). What the couple’s actions do not detract from is an exquisitely and increasingly unorthodox character development on the part of Dennis Quaid, which is the film’s most redeeming quality. Although it has a very manageable running time of one hour and forty minutes, The Intruder probably will not prove to be a must-see for many moviegoers. For being only a slightly recycled “stalker/creepy neighbor” film with its share of tense moments and even more questionable decisions, I give The Intruder 2 reps out of 5.


Will you be confronting The Intruder in theaters, wait for its digital/DVD release or avoid it completely? Let me know which way you're leaning either way. How do you think this particularly saturated film type can have new life breathed into it?

Wednesday, May 8, 2019

Pokémon Detective Pikachu (early screening on May 6, 2019)

Firstly, I’d like to thank Cathy Rong of Vayner Media for making it possible for me to watch this movie before its official theatrical release, which is May 10, 2019. My twelve year old self is ESPECIALLY grateful for this one. Because of her, I have been able to attend a number of early movie screenings, including the surprisingly well done “Escape Room” a few months ago. Thank you kindly, Cathy. I am always most grateful for your generosity.

In grade school I was an AVID fan of Pokémon. I collected the trading cards and organized them in my Pokémon binder. I assembled two separate decks to “battle” other “trainers” during my Saturday morning visits to the Pokémon trading card game league that met in my local Toys R’ Us (RIP). And when the feature length cartoon movie released in theaters, you better believe I was in line early to get my free promo card of Ancient Mew. “Pokémon Detective Pikachu” is the live-action Pokémon film fans have been waiting on for what seems like forever.

In the film, Pikachu is voiced by the hilarious Ryan Reynolds and helps Tim (played by the rising star Justice Smith of the Netflix show “The Get Down”) uncover what has happened to his missing father, with whom Tim is not particularly close. One thing that stands out immediately is that the movie does not bother establishing for its audience the world in which Pokémon exist. If you’re completely new to Pokémon, then this approach is potentially more of an issue for you than it is for others. It operates in a world where the existence of Pokémon is already a long standing reality; so, be prepared to jump right into things as if you’ve already known about them for some time.

As for the live action Pokémon we see on screen- they are AMAZING. They are exactly what twelve year old me initially wished to see on screen but had to wait on for the necessary technology to make possible. From Ryan Reynolds pulling off a Daredevil-like Pikachu with attitude, to Charizard looking as menacing as ever and all of the surprise guest Pokémon appearances throughout (including rare Pokémon and evolved Pokémon), it is no secret what this film’s bread and butter is.

The film is actually under 90 minutes long; so, it’s certainly an easy watch in that regard. But the plot itself is rather spotty and takes several leaps just to get from one confusing development to the next head scratcher. The way in which the movie progressed felt very reminiscent of the cartoon episodes I watched religiously growing up, with only a modicum of interest being engendered for the plot because what I really wanted to see was Pokémon in battle. The movie is FANTASTIC for kids; and, fans of all ages should certainly watch this in theaters to get the full effect of the spectacular work put into the Pokémon; but, don't expect to be floored by much else. For finally bringing Pokémon to life in spectacular fashion (particularly a hilarious Pikachu and mighty Mewtwo), with little else to offer, I give Pokémon Detective Pikachu 2.5 reps out of 5. I am still, nevertheless, extremely pumped for future Pokémon movies given how well a job was done with their live action portrayal in this one.

Will you be entering the Pokémon world alongside Detective Pikachu or might you actually skip out on seeing the live action adaptation of these magnificent creatures? Let me know what you’re hoping for from the Pokémon world moving forward. Don’t be shy, folks- it’s what the comments section below is for! :-) 

Monday, May 6, 2019

Long Shot (watched May 03, 2019)


You miss 100% of the shots you don’t take. This particular shot comes from way downtown and hits nothing but net. “Long Shot” tells the story of a highly opinionated journalist named Fred (played by everybody’s favorite stoner Seth Rogen) who remains loyal to his set of morals, even, at times, to his own detriment and that of his bank account. Upon hearing that the company he writes for has been bought out by a business tycoon that stands against everything he believes in, Fred walks out on his job and turns to his childhood friend Lance (played by the up-and-coming O’Shea Jackson Jr.) for comfort and advice. The hilarity that ensues is nothing short of epic.
Together, Fred and Lance take the city by storm, doing all they can to help distract them from Fred’s current situation. The audience is treated to a series of laughs as we get to witness a genuine chemistry between the two lifelong friends. Their day of adventures is punctuated by attending a party that boasts a guest list full of influential people. Chief among said guests is Charlotte Field, a powerful politician played by the incredibly talented Charlize Theron. While Charlotte lives in the eyes of so many as a larger-than-life figure, Fred actually knows her from back when she was running for class president of her high school class. The two of them reconnect and set off an improbable roller coaster ride of events fully equipped with highs and lows through and through.
This film is an absolute riot. The laughs are seemingly endless and although there are hints of slapstick comedy throughout, many of the jokes are surprisingly well developed. The entire cast is completely hysterical. One of Charlotte’s advisors Tom (played by Ravi Patel), does not have too many lines; but, the ones he does deliver are done so with such precision and enthusiasm that I began to laugh as soon as the camera panned to him out of habit. Also, the film’s POTUS is played by Bob Odenkirk, aka everybody’s favorite crooked lawyer Saul Goodman from “Breaking Bad” and “Better Call Saul.” President Chambers is a character that can and will be viewed by some as a commentary on Donald Trump and is the prototypical character we LOVE to hate. Then, there’s O’Shea Jackson Jr. who diversifies his acting profile by getting on screen with some real time heavy hitters and MORE than holds his own.
The running time here is almost two hours long, which makes how funny it is throughout even that much more impressive. And, while this isn’t necessarily a film you have to see in theaters to fully appreciate, this is also NOT one you’re going to want to wait until it releases on DVD to go see. Long Shot tells a rather improbable story; but, the fact that it is an unlikely story doesn’t detract from the spirit and life brought to it by the script and actors. The story is comprised of highly unlikely scenarios, all of which nevertheless retain a sense of realism because they still could have happened. Culturally aware, socially relevant, and boasting a cast that works incredibly well together on camera, Long Shot gets a full 5 reps out of 5 from this moviegoer. I will certainly be watching it multiple times and fully expect it to spread laughter to most who go out and do the same.
Is Long Shot on your list of movies to watch? Feel free (and highly encouraged) to share your thoughts in the comments section and share this website with your movie crew. Maybe I'll see you on one of my next movie trips! And, as always, please remember- all of my posts are SPOILERS FREE! Don't be afraid to read and comment BEFORE deciding what movie to go watch (and then come back and do so AFTER watching the movie as well). ;-)

Friday, May 3, 2019

Booksmart (early screening on May 1, 2019)

It’s produced by Will Ferrell. It’s the directorial debut of Olivia Wilde. And it is the charming, relevant, timely coming-of-age comedy that you didn’t know you need to watch- until now. Being an AMC A-List member afforded me the chance to watch an early screening of "Booksmart;" and, I am so glad office work did NOT get in my way of making this one.

In the film, high school best friends and Valedictorian/Salutatorian Molly and Amy (played by Beanie Feldstein and Kaitlyn Dever) realize the day before graduation that while they chose studying over enjoying high school’s extracurriculars to get into their respective Ivy League schools, their classmates got into the same caliber of schools and had WAY more fun doing so. Determined not to let the last party night of the year pass them by, the duo sets out to break the rules they set out for themselves (and even some legal ones as well). Molly and Amy’s night of fun lends itself to hilarious moments involving all of today’s mobile apps including Uber/Lyft, Instagram, Facebook, etc. The laughs come fast and often, while friendships are tested, unexpected relationships are built, and moves are made to say goodbye to high school before facing all that comes afterwards.

The on-screen chemistry between Beanie and Kaitlyn is something to behold. From the very opening sequence, it actually feels as though the two of them have spent every second they possibly can together. Plans have been set into motion, decisions about the future have been made, and the two seem to have everything sorted out, right up until having everything planned out isn’t going to cut it the night before graduation. Molly and Amy decide to let the wind take them; and, what ensues is utter chaos and beautiful madness. The two finally shed their overly protective layers and venture out into the world beyond books and grades. What they find is as invigorating and educational as any classroom they’ve been in or homework assignment they’ve completed. But, how much do these new lessons cost them to learn?

Booksmart runs approximately an hour and forty minutes; but, it rarely drags. With very little in the form of boring, gap-filling scenes, this film takes audience members on a ride too bumpy to mind when things slow down a bit because those moments don’t last long. The musical accompaniment seamlessly feeds into every step along the film’s plot development; and, as much fun as viewers have along the ride, we are still genuinely interested in seeing how things turn out. Booksmart will bring some hints of nostalgia to those of us whose high school days are long behind us and may very well be an anecdote for those of you who are entering a similar stage in your own lives. Most importantly, it brings light to a number of issues facing today’s youth while proving that no problem should have to be the end of the world, impossible as it might be to realize that in the moment. This film gets a strong 4 reps out of 5 from me and you are going to want to watch this in theaters, as soon as it drops, with a bunch of your close friends because it engenders purely good vibes. And, if you’re anything like me, your vibe is your tribe.

Are you excited to catch Booksmart yet? Have I convinced you to walk down the movie aisle and grab your ticket to the most fun you’ll have learning so far this year? I swear they’re not paying me for this. 

Tuesday, April 30, 2019

Avengers: Endgame (watched April 24, 2019)

That was a lot. First of all, I have to acknowledge just how well executed Disney’s long term plan for the Marvel Cinematic Universe was. After a number of failures, Disney regrouped and set a new plan in motion that had its own low points; but, which was overall a success the likes of nobody but Disney and its team ever thought possible. Kudos where kudos is deserved.


As for the film, “Avengers: Endgame” starts out by immediately answering a number of questions that fans were left with at the conclusion of “Avengers: Infinity War.” We get to see where other missing Avengers were at the time of Thanos’ famous finger snap, we get to see where Thanos heads and we ultimately get to see who is left to fight for Earth’s survival.


Endgame is as much an exercise in one of (if not the) largest plot development projects in cinematic history as it is a trip down memory lane. As much as those who survived “the snap” struggle to determine how best to move forward, they must also face their past to fully grasp how things got to their current state of affairs. Needless to say, the Avengers’ individual and collective journeys of introspection lend themselves to a number of nostalgic moments that will have audience members screaming in both joy and sadness.


As most are aware of by now, this Avengers finale is a full three hours long; so, be prepared for a LOT of different mini missions throughout the first two hours culminating in an action-packed and forward-looking last hour that, in my opinion, does the entire MCU build-up of several years justice. The final battle scene is one literally decades in the making and very reminiscent of so many comic book iterations we have been treated to for so many years. While "Infinity War" told the story of a dark fall, Endgame in many ways tells one of a struggle for redemption. This closing chapter gets 4 reps out of 5 from me for being a thoughtful culmination of so much work that should at the very least satisfy most fans of varying devotion. Needless to say, this film should most certainly be watched in theaters, at least your first time around. And, if you have the opportunity to see it in a 4DX theater (CA or NY only), then DO YOURSELF A FAVOR AND GO...ASAP.


What did you think about the way in which this chapter in the perpetual “game” of wars ended?

Thursday, April 25, 2019

The Curse of La Llorona (watched April 23, 2019)



The hits just keep on coming! “The Curse of La Llorona” is actually a slight spin-off of “The Conjuring” series. It is based on an old Mexican folktale that I would rather not spoil for those of you who are not familiar with how the story goes, as that alone can be a discovery for unfamiliar audiences. Like all of the horror movies that have released thus far in 2019, this one begins with a depiction of the original tale before jumping hundreds of years forward.


Set in 1973, the movie follows a female child services agent Anna (played by the beautiful Linda Cardellini, whom you should recall from her role in "Green Book") whose job is to make sure children are saved from unhealthy households and cared for more appropriately. When one particular case hits too close to home, Anna finds her family in the very middle of a situation that mirrors so many she has worked on before. That’s when the thrills come fast and often.


The Curse of La Llorona is another cinematographic beauty. The cut-aways work wonders to both draw in viewers’ attention and set up the several shock moments that are plentiful throughout. As with any horror movie, there are a handful of plot jumps made to push the storyline forward. But, that’s why most of us watch horror films- more so for the frights and less so for the plot development. The film lasts a very manageable 95 minutes and leaves no room for much in the form of distractions or filler scenes. What’s more, the ending is another more satisfying one than many other endings we’ve seen from this genre, although, it may seem like it comes more abruptly than we are used to. Another solid horror movie contribution of 2019, The Curse of La Llorona gets 3 reps out of 5 from this horror movie buff. And I most CERTAINLY recommend watching it in theatres, particularly iMax or Dolby, as the moments of fright certainly benefit from the big screen.


Have you come face to face with La Llorona yet? Or are you still too scared from your childhood stories thereof to face the demon?

Monday, April 22, 2019

Pet Sematary (2019) (watched April 4, 2019)


ANOTHER horror movie release and ANOTHER opening night viewing for this horror freak. While the original film adaptation of Stephen King’s novel by the same title released back in 1989, I actually never watched it until one week before this reboot released 30 years later. I was never really into animals, which fed perfectly into my first viewing of the original because it is only LOOSELY focused on animals and is actually about much more than pets.


“Pet Sematary (2019)” is a reimagining in every sense of the word. I watched the original again one night before this year’s release; so, it was even fresher in my mind than most who did not do the same. It is for this reason that so many of the changes and risks taken by this version LEPT out at me, leaving me in a state of absolute delight throughout. It’s impossible to discuss these instances without giving spoilers; but, they exist and are plentiful.


Much like “Us,” the cinematography in Pet Sematary (2019) is astounding. The angles shot and transitions made engender a rather eerie feeling throughout the entire theatre. For those who never watched the original, it feels like they are discovering what the actors are discovering alongside them. For those who did watch the original, you’re still kept on edge because you either want to see where things deviate from the original and how, or you’re going through your own bit of dejavú.


Unlike “Us” and many hotly discussed and debated horror films, the ending is immensely satisfying. That really just speaks to how good of a job everybody involved in this project did, while still keeping it to a reasonable hour and forty minutes. I am literally getting shivers writing this PREview. I cannot WAIT to go see this movie again; and, seeing as how I’ve already seen Us twice, this one looks to be at LEAST a three-timer. Horror movies are admittedly easier for me to enjoy than for most others to because of the general infatuation I have for the premise behind all such films: scaring those who are watching voluntarily in as creative a way as can be thought of. I thoroughly enjoyed “Prodigy,” “Greta” and “Us;” but, Pet Sematary (2019) is easily my favorite horror film theatrical release of 2019 so far. Needless to say, it gets the easiest 5 reps out of 5 that I could possibly give a film.


Have YOU visited the Pet Sematary (2019) yet? How did it make out in your eyes? If you watched the original, then tell me how it measured up. If you haven’t watched the original, then what did you think about how things unfolded; and, will you now be watching the original? Share with me as I love so much doing with you!


Tuesday, April 9, 2019

The Beach Bum (watched April 1, 2019)

The first time I watched the trailer for this film was before watching “Us;” so, while “The Beach Bum” was already about to release, I hadn’t heard anything about it at all. However, it clearly had a “stoner movie” vibe to it that was only exacerbated with shots of such high-profile features as Zac Efron, Martin Lawrence, Jonah Hill and the legendary Snoop Dogg. I decided to watch it strictly hoping to get some senseless laughs out of the experience; but, I came across much more than that.
 

The Beach Bum follows the rather tumultuous life of a fictional character by the name of Moondog (played by Matthew McConaughey), who is married to Minnie(played by the stunning Isla Fisher, who many will remember from her over-the-top, yet sweet portrayal of Rachel McAdam’s younger sister in “Wedding Crashers”). Though Moondog has a gifted mind that produces some wonderfully worded poetry when under the influence of any plethora of drugs, Minnie’s family fortune allows Moondog to literally float through life rather aimlessly, often pushing the limits of his own mortality. He jumps from one irresponsible decision to the next, dropping literary gems along the way; but which never prove enough for him to leave his party lifestyle behind and focus on building a more structured future.
 

When, after one of his many benders, a life development forces his hand and he must come face-to-face with not only his present, but more importantly, his future (if he wants to have one), Moondog sets out on a mission of rediscovery. From this point forward, the film becomes a sort of collection of hilariously orchestrated mini episodes, as we see Moondog interact with one of the aforementioned celebrity features to the next in a way that only Moondog knows how to maximize to its fullest potential. While hilarity ensues, Moondog is also maturing in a way necessary for him to refocus on what’s important to him.
 

While The Beach Bum is most certainly, at least to some extent, a “stoner movie,” it actually gets the audience to invest in the development of its central character for his own betterment and for the sake of those who love him. In fact, the film is also likely to lead several of its viewers on their own mini journeys of rediscovery, a trait that not many other “stoner movies” can lay claim to. The Beach Bum runs a mere hour and a half long, while the laughs, highs and lows come fast and often. Despite some plot leaps, the Beach Bum is a ball of fun and laughter that carries more gravitas than we’re used to seeing from comedies. And it is for these reasons that I give the movie 3 reps out of 5. The Beach Bum doesn’t have to be seen in theatres; but, if you do go, especially, with a group of close friends, good times will most certainly be had. It won’t win many awards; but, this movie will almost certainly make more fans out of unsuspecting viewers than one might initially suspect it even could. And, if you’re looking for a fun way to pass the time, this one certainly fits the bill.
 


Have you met The Beach Bum yet? How much fun did you have with him?! Let me know your thoughts in the comments section. Don’t be shy- let the good vibes flow like Moondog does!

Friday, March 29, 2019

Dumbo (2019)

I was going to watch this REGARDLESS of who directed or acted in it because of the opportunity to see a Disney classic recreated with today’s advanced technology. So- having it directed by Tim Burton and starring Michael Keaton, Danny DeVito, Colin Farrell and Eva Green was an added bonus for me before even taking my AMC recliner seat for this opening night viewing.

Dumbo (2019) clearly borrows much from the original version I watched numerous times as a kid. The underlying dynamic of a circus maestro trying to make a star attraction out of a baby elephant whose ears are comically overgrown still provides the basis around which the story unfolds; however, this version is much more than a simple remake. This version is most certainly a re-imagining as well, as it boasts an increased emphasis on the power of science and of women. In fact, the young Milly (played brilliantly by the promising young Nico Parker) often times steals the show with her displays of ingenuity and wisdom, both of which are characterized with an inconceivable maturity that nobody else involved can lay claim to. She displays an uncanny ability to feel empathy while still operating in such a calculated manner that, honestly, is refreshingly impactful.

This version of Dumbo also is nowhere near as dark as I expected it to be, given not only the original script but also Tim Burton’s directorial track record. There is still a Tim Burton grandeur to the film; but, it is not anchored by any overly ominous tone or anything of the sort. In fact, the film is rather uplifting in a way that pulls Dumbo’s story from the antagonistic fervor that characterizes a lot of the company’s earlier films and into today’s  age of empowerment.

While the film runs an almost full two hours long, there are still jumps in the plot that seem a bit contrived and “fortunate” for its development. This makes certain spots feel brushed over; but, it's all in favor of moving things forward. Generally speaking, this version delivers the technological upgrade to a Disney classic I hoped for more than anything else, while also coming off with a more positive spin overall. Despite some holes in its plot, Dumbo (2019) works well enough for those willing to simply enjoy the ride. To really appreciate the cinematography, it should certainly be seen in theaters; and, if you’ve been watching movies since the 1980’s as I have, you will probably feel the hints of nostalgia that I did during several instances wherein the big screen is shared by 1992’s Batman (Michael Keaton) and Penguin (Danny DeVito). I’m giving Dumbo (2019) 3 reps out of 5for being a fun and innovative time with several on-screen moments of cinematographic splendor. If you’re worried about taking children in your life to see this movie because of a sort of “pessimistic” tone, DO NOT BE. It is much easier to digest than you might be inclined to believe.

So, will you be riding the wave of this latest Disney reboot? If and when you do, let me know what you’re looking forward to and how/if your expectations were met.

Friday, March 22, 2019

Us (watched March 21, 2019)

Jordan Peele’s (unrelated) follow-up to the wildly popular “Get Out” is finally here; and, it does not disappoint. As one can gather from the trailers, “Us” is about a family (the Wilsons) that is on vacation and for reasons not particularly clear to anyone, is forced to come face-to-face with another family that is comprised of individuals who, for the most part, bear a striking resemblance to each of its own family members.

What is immediately palpable from the very start of the movie is the particularly gripping musical score. There are reworkings of a number of famous tunes that at different times set the tone, heighten the intensity and also settle us down before taking us on the next roller coaster scene of high and lows. The musical accompaniment to Us deserves a lot of credit for driving the film forward and should undoubtedly be recognized with accolades in the form of several award nominations. Think Kanye West in "My Beautiful Dark Twisted Fantasy."

Us starts out with some backstory that sets up the entire movie with just enough information to reel the audience in and without divulging much at all about how it is connected to the present day story that takes place more than 30 years later. That aspect, in fact, is reminiscent of The Prodigy; but, this plot bridges that time gap much more quickly. That, in turn,  means that MOST of the movie actually takes place in conflict, which is great news for moviegoers who have a tough time paying attention during moments of particularly less activity. Once the main conflict is introduced, the family finds itself in the crux of this “family feud” for the duration of the film, making it immensely suspenseful for basically the entirety of the audience’s experience.

However, Us is also just as thought-provoking and, at times, even confusing, as it is attention-grabbing. I could not help but try to find some sort of rhyme and/or reason behind the events that were unfolding before my eyes. And in those very moments I appreciated the film even more because the next big shock moment always came as I was in the very middle of my theorizing. This led to a very interesting dynamic wherein my mind and thoughts were often being pulled one way while my heart and emotions were being tugged in another.

The film boasts such Black Panther favorites as actors Lupita Nyong'o and Winston Duke, who are both amazing in their own right and both of whom are destined to continue making magic on screen. But, the Wilson family is actually on vacation with another family whose matriarch I was ECSTATIC to see because I love this actress and had no idea she was in this film as well. I will not divulge her identity to avoid spoiling it for those of you who did not know she was in the film either. Us is one hour and fifty minutes long but because of the aforementioned nature of the plot, it does not suffer from even one dull moment that I can recall. The film is thoroughly suspenseful throughout and perhaps even more thought-provoking, which is why I give Us 4 STRONG reps out of 5. There are some who, even like myself, to some extent, might have a gripe with the ending; but, that is the nature of the horror genre. No ending is ever perfect for everybody; but, the discussions that will inevitably be had as more and more people watch the film should overshadow any such nit-picking. Us definitely deserves to be experienced on the big screen; and, I would suggest doing so sooner rather than later before everyone is spoiling it for those among you who will inevitably take longer to see it than one should. Jordan Peele has firmly entrenched himself as a modern day horror genre pioneer seemingly out of NOWHERE and I can’t WAIT to see what he comes out with next.  There is a real sense of "magical realism" that runs through US more so than in Get Out, a trend which I would love to see continue with subsequent Jordan Peele films.

So, did you come face-to-face with “Us” yet? Let me know in the comments section what your thoughts are regarding the film whether you have or haven’t seen it yet!



TRAILER THOUGHTS!

Aside from the now too often repeated "Avengers: End Game" trailer, one other trailer stood out. Matthew McConaughey will soon be BACK alongside such favorites as Jonah Hill, Zac Efron, Martin Lawrence, Isla Fisher and Snoop D-O-double G himself in what promises to be a HYSTERICAL time with "The Beach Bum." That looks like a BALL OF LAUGHTER waiting to explode.

Wednesday, March 13, 2019

Fighting with My Family (watched March 12, 2019)

I was a HUGE fan of professional wrestling growing up; religiously watching WWF and becoming so addicted that eventually I began to watch WCW and even, to a lesser extent, ECW. As I grew older and more into other sports, I left the world of professional wrestling fandom just as Dwayne “the Rock” Johnson was transitioning from wrestling superstar to WORLD superstar. However, I still try to catch the bigger annual WWE events like Royal Rumble and WrestleMania, while also watching documentaries that illuminate much about the actual business and history behind the sport. “Fighting with My Family” works as both entertaining and informative.

The film tells the story of how WWE Women’s Superstar “Paige” grew up in the family business of wrestling and made it all the way to the main roster of the WWE. While I always find it difficult NOT to invest in any true story I decide to listen to or watch, the film does a number of other things very well. For one, the audience is treated to a meaningful look at the relationship between all of Paige’s family members without lingering on that aspect even slightly too long. Then, it narrows the focus more so to the relationship between Paige (played by the loveable Florence Pugh) and her brother Zak (played by the endearing and surprisingly relatable Jack Lowden) who, along with his sister, had wanted to make it to the big stage of professional wrestling since they were children.

As expected, we are also treated to a number of cameos by famous wrestlers, the most popular of all, of course, being the Rock. But even the Rock’s role is informative, as he appears just the right amount to move the story along without shifting focus to him for any extended period of time. Vince Vaughn, who plays Hutch or “Coach” is also just as simultaneously lighthearted as he is assertive, bringing to the film yet another tone-setting presence. I also particularly enjoyed the way Paige and Zak’s relationship can be seen evolving throughout, even and at times, especially, when they’re not together.

“Fighting with My Family” is MUCH more than a wrestling movie. While telling Paige’s story, it certainly illuminates much about the inner workings and difficulties behind making it big. But, it also does an incredible job at reminding the audience that just because millions of people aren’t watching you, does not mean you are not just as capable of doing extraordinary things and having a major impact on the lives of others. For being funny, informative and extremely well put together, I give the film a strong 3.5 reps out of 5 and strongly encourage all moviegoers to watch it, whether in theatres or at home, as soon as possible. It’s a seamless hour and forty minute watch that should appeal to both wrestling fans and non-wrestling followers alike. And, if you’re at the tip of your patience waiting for the final season of Game of Thrones as I am, then you’ll also love the film’s dose of Lena Headey, who I first fell for in “300” as she played King Leonidas’ wife Queen Gorgo and currently plays the role of Cersei Lannister in GoT.

Has this film clotheslined your funny bones yet? Have you had the chance to learn about the world and business of wrestling entertainment by watching Fighting with My Family? Let me know either way in the comments below and don’t be surprised if we become good pals after connecting over such a great film!

Friday, March 8, 2019

Captain Marvel (watched March 7, 2019)

Understandably so, there is a LOT of hype behind Marvel Studios’ “Captain Marvel,” making it one of the most anticipated movie releases of the entire year. So, let me get right into it. 

Captain Marvel is the “origin story” behind not only how the female superhero came to develop her powers; but, also how she came to discover who she is as a person. It takes place back in 1995; which lends itself to a number of “throwback” moments that I won’t ruin for you; and, it kicks off with a look into an intergalactic war between the alien races of the Kree and the Skrulls. Carol Danvers aka Vers, who later becomes Captain Marvel and is played by the up-and-coming talent in Brie Larson, is a human living alongside the Kree but without much recollection of her past life on earth beyond some flashbacks that manifest themselves in pressure moments. If this dynamic feels familiar, then you were probably among those of us who recently saw Alita: Battle Angel, wherein the kick-ass cyborg faces her own struggles in trying to remember her life before the one she is currently living. 

Vers is seen developing her strength and physical prowess by participating in a number of missions that eventually sees her crash-landing on Earth. It is there that she runs into a younger-than-ever-before-seen S.H.I.E.L.D. Agent Nick Fury, who, of course, is played by the legend Samuel L. Jackson (BEFORE the eye patch), as the two embark on adventures together “doing good” and “saving the world” one day at a time. The two share a spirited yet lighthearted banter that, along with the setting, make their time together on screen feel like a 90’s action comedy. Eventually, Vers rediscovers her past life with Fury’s help and develops a sense of purpose and power that help her become Captain Marvel and EASILY the strongest of any Marvel superhero of the bunch. 

The film is slightly over two hours and certainly comes with its share of more dull moments as a result of being an origin story. While it takes some time for it to kick into another gear, the film does, finally, get to a handful of INTENSE action sequences that have become “the bread and butter” of the Marvel Comic Universe (MCU). It is also very much in line with the recent shift towards depictions of female empowerment, fittingly releasing (officially) on Friday, March 8th: International Women’s Day. But, Captain Marvel does not offer much else that feels “new” or “different.” The film feels more like a Nick Fury buddy piece carried by nostalgia, hints of comedy and some VERY gnarly action scenes that will probably stick out more than anything else. For having its lulls, interspersed comedy and grandiose action scenes that are worth the wait but still way less plentiful than hoped for, Captain Marvel gets 3 reps out of 5 from me. I saw it in 4DX; so, the action scenes alone were worth it and are the main reason why this film should be watched in theaters. But, it probably doesn’t need to be seen multiple times. Stick around for one post-credits scene that ties the movie DIRECTLY to the upcoming Avengers film “Endgame” and makes Captain Marvel feel more like a hype train for that movie (coming out in less than two months) than anything else. There’s also a second post-credits scene after the entire credits finish rolling that is more lighthearted and an homage to a furry feline who steals the show in a couple of moments. 

What did you think about Captain Marvel? What was your biggest takeaway from this film and how do you feel it fits into the MCU?

TRAILER THOUGHTS!

I’ve decided to start including some thoughts on trailers I might have come across during my viewing that made a particular impact, since those are a huge part of the theater-visiting experience for me. 

"Spider-Man: Far From Hom" looks poised to be the biggest MCU movie not called “Avengers” that has come out in a while, particularly because of the sheer number of superheroes that will be in it. 

The trailer to "Frozen II" was also particularly interesting and attention-grabbing, even for somebody like I, who is not a particularly huge fan of the first film, but who certainly appreciates it (and CERTAINLY appreciates Evan Rachel Wood!!!!).

"Dark Phoenix" feels like a film that's been a lifetime in the making; and, I can’t WAIT to see it following the final season of Game of Thrones, as GoT favorite Sophie Turner returns as Phoenix.


"Rocketman," which tells the story of Elton John's skyrocketed trajectory to superstardom is also in the works and looks full of all the life the man himself is.